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At Globe, Martin’s Take On A Bitter German Farce Helps These Mornings

By Welton Jones | August 5, 2019 |

Rise and shine these days to the absurdities of the world illuminated at the Old Globe Theatre by Steve Martin’s adaptation of an early 20th Century German farce which causes dropped panties to make as much sense as anything right now.

SummerFest’s Sublime Spiritual Journey

By Ken Herman | August 5, 2019 |

Saturday’s La Jolla SummerFest program, “Songs of Heaven and Earth,” clustered major sacred works by J.S. Bach, Olivier Messaien and Gustav Mahler, a combination of composers I cannot recall appearing together on a previous SummerFest program, Both the musical progression and the spiritual journey proved unusually compelling.

SummerFest Boldly Mixes George Crumb and Maurice Ravel with Rachmaninoff on Sunday’s Program

By Ken Herman | August 4, 2019 |

Sunday afternoon, SummerFest Music Director Inon Barnatan matched Claude Debussy’s “Prelude to the Afternoon of a Faun” and Sergei Rachmaninoff’s virtuoso, arch-Romantic Sonata in G Minor for Piano and Cello, Op. 19, with George Crumb’s rarely performed 1971 “Vox Balaenae” (“Voice of the Whale”) for amplified flute, cello and piano, and Maurice Ravel’s “Trois poèmes de Stéphane Mallarmé.”

Opera NEO Festival’s Opening ‘La Cenerentola’ Glows in the Golden Triangle

By Ken Herman | August 3, 2019 |

San Diego’s Opera NEO opened its 2019 summer festival slate of operas on Friday, August 3, with a commanding production of Rossini’s La Cenerentola in the Four Flowers Theater at La Jolla Country Day School.

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