As a conjurer of distinctive, unforgettable characters in his many novels, Charles Dickens could never be accused of lacking imagination. But I do wonder if he could have possibly imagined the many incarnations his 1843 book “A Christmas Carol” would assume in its long afterlife. Within a year of its publication, “A Christmas Carol” was […]
Tarell Alvin McCraney is clearly a theatrical heir of playwright August Wilson, and Mr. Wilson served as a mentor during his graduate playwriting education at Yale. Mr. McCraney’s work, like that of his mentor, is a product of big ideas and bold theatricality while at the same time honing to the cultural traditions of the African American community.
As a child I liked singing that old revival song “Blest Be the Ties that Bind,” but with adulthood came the realization that binding ties may bring about the opposite of blessing. Stephen Adly Guirgis’ 2008 play “The Little Flower of East Orange,” which San Diego’s adventurous ion theatre company opened Saturday (Nov. 17) in […]
Yoshimi Battles the Pink Robots is not some zappy Japanese anime game for the cell phone. Instead, it’s a very moving account of a young woman’s battle with cancer. Really. She just happens to be Asian. Named Yoshimi. And “pink robots” is the name her doctor gives to the rogue cells, which are suddenly devastating […]
On the surface John Doe is about a man (Michael Nieto) who ends up in a hospital emergency room with no identification and apparently in a coma. He is cared for by one nurse in particular (Rachel Propst), who takes a liking to him without knowing anything about him. Also hanging about are five fairly stereotypical and one-dimensional men who are not seen by the staff but who watch the goings on from a set of waiting room chairs. A sixth character (Jane Lui), who it turns out, is John’s wife, flits in and out like a mental case, clinging to one or more of the men.
Last January’s version was clearly an “audience show,” with a fair amount of sing-along to what has become familiar music, mostly of the folk variety. All of the cast members were solid, but Mr. Crossland, a newbie to theatre, impressed with his tenor lead vocals – not surprising, as Mr. Crossland’s mentor was San Diego native John Stewart of the Kingston Trio. Somehow, though, the moment has passed. In January, we could empathize with a cast that had been assembled for a Pete Seeger tribute (Mr. Armstrong even looks a little like Mr. Seeger) and then had to revise suddenly when Mr. Seeger withdrew his support. We could root openly for the sympathetic comments about the Occupy movement. We could watch with studied horror as the Republican Party tried out an ever more conservative, anti-protest, set of presidential favorites.