Damien, playing through May 5 at Lamb’s Players Theatre’s Coronado facility, reaches back to the company’s roots. Written by Aldyth Morris, the plot follows a number of conventions of Christian drama (and, truth be told, drama of all sorts): set up the hero as cantankerous, high-minded, and always fighting the establishment, and let the story play out in a way that insures the audience will realize that it is the hero’s faith that makes him a hero.
When it comes to adaptations of classic stories, spectators and critics try to judge the interpretation on its own terms. Sometimes, a particular version seems to rely so heavily on the original source material, that the experience feels like a pale imitation of a classic tale, instead of a fresh take. Fortunately, this is […]
Grey Gardens is a strangely beautiful musical about people who are both strangely beautiful and more than eccentric. In a way, it’s the perfect musical for ion Theatre, which is presenting its Southern California premiere through April 20.
So why this Doll’s House, right now? Maybe it’s just punching a ticket – the Old Globe Theatre has never before done the most-produced play of the second-most-produced playwright – but I suspect it’s a gender thing. Henrik Ibsen himself said more than once that A Doll’s House had nothing to do with women’s rights. […]
It’s been a long time since I’ve seen a show where my opinion drastically changed over the course of the evening. This is exactly what happened during Moonlight Stage Productions presentation of Born Yesterday, which is a rare example of a play where the quality of the storytelling rises after intermission. In 1946, a […]