Think Steve Martin and what comes to mind is likely to be smart, literate comedy that will make you think while you’re having a laugh. That, and banjos. Banjos do turn up in Mr. Martin’s adaptation of Carl Sternheim’s 1910 sex comedy, The Underpants, but they’re only talked about. Which is what you can say […]
About Bill Eadie
Posts by Bill Eadie:
If you enjoyed MixTape, which just started its third year of performances downtown, or if you liked Mamma Mia, the ABBA sensation that’s still going strong in New York and on tour, you have a good chance of liking Intrepid Shakespeare Company’s production of A Midsummer Night’s Dream. Some of you are undoubtedly scratching your […]
Mystery Plays were medieval pageants that were acceptable to church authorities because they were moral fables based on Biblical tales. Mr. Aguirre-Sacasa’s mystery plays are also moral fables, but his Bible is the horror genre itself, as taken from its most populist master practitioners: Rod Serling’s “The Twilight Zone,” Alfred Hitchcock, H. P. Lovecraft, and Stephen King.
Producing Artistic Director Robert Smyth has a knack for staging plays from the 1940s. He gets the era, how people talked then, and he’s fascinated with the details of the kind of well-made play that 1940s writers routinely produced. But, these plays today are considered quaint, and they’re seldom done. Mr. Smyth consistently provides persuasive evidence for reviving shows from this period.
He’s also good at directing farce, and See How They Run is a classic 1940s British farce. It should be a winner at Lamb’s and it is.
The first thing you should know about Altar Boyz is that it’s fun. The second thing you should know is that it’s fun. The third thing you should know is that not much else matters. Noah Longton’s production at the Diversionary Cabaret (which means that the show is not an official Diversionary production and the […]