Shoppers and downtown workers on their lunch break Thursday (Jan. 29) were startled to hear strains of “Bess, you is my woman now” from Gershwin’s opera “Porgy and Bess” floating across the wide plaza in front of San Diego Civic Theatre . . .
San Diego Opera
The last time San Diegans encountered baritone Morgan Smith, he was riveting their attention in the role of Starbuck in San Diego Opera’s production of Jake Heggie’s “Moby-Dick,” one of the few contemporary operas that have found favor with opera’s notoriously conservative audience. Back in town for the first opera of San Diego’s 2015 season, Smith shares his insights and inspirations . . .
Judging from the reaction of SanDiegoStory.com’s team of reviewers, 2014 was a mixed year for the arts in San Diego. While there was plenty to savor, there was also plenty to criticize…
Following the lead of bass superstars from the great Russian Fyodor Chaliapin to the American Samuel Ramey, Italian basso Ferruccio Furlanetto counts the title role of Jules Massenet’s Don Quixote as one of his signature roles, which he reprised for San Diego Opera Saturday (March 5) to thunderous, well-deserved acclaim . . .
Ian Campbell, like King Louis XV of France, seems to see no possibility of a successful successor. How did that work out, Louie?
From its first performance in Milan’s church of San Marco in 1874, Guiseppe Verdi’s Requiem Mass catapulted its listeners from the solemn cadence of the Roman Catholic liturgy to the raw emotional drama of the opera stage. So it was entirely appropriate for San Diego Opera to present a concert performance of this Requiem on the company’s usual opera stage on March 20 . . .