We love who we love, and we’re willing to bear the consequences, at least the way Paul Rudnick’s ‘Regrets Only’ tells it. Diversionary Theatre’s latest entry veers too close to farce at one point, but its storytelling is rife with sometimes painfully funny one-liners and situations to that end.

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“Edgar & Annabel” and “Far Away,” ion theatre company’s current double bill, has us locked into a future of worldwide oppression and conflict, which is precisely what won’t transpire in human history. But the production values transcend all that in this very well-crafted piece of theater.

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