Art of Élan’s Artistic Director Kate Hatmaker brought in New York City’s NOW Ensemble, a contemporary music quintet, to accompany as energetic evening of contemporary dance by Malashock Dance . . .
Choreographer John Malashock and composer Judd Greenstein were clearly separated at birth, there’s such a splendid affinity between them. Last night, Malashock Dance premiered two pieces to Greenstein works, as well as three premieres to music by other contemporary classical composers. The program is called “Minor Fall/Major Lift,” but that’s a misnomer, because all I experienced was a major lift, especially since the music was performed live by the New York-based NOW Ensemble. Hallelujah.
High-energy “Propulsion” showcases Blythe Barton’s visceral combat, Lara Segura’s thorny relationships, Andrew Holmes’s deft use of space, and John Paul Lawson’s “Yippee! I get to leap!”
We asked each of our writers to cast their thoughts as “bravos” and “boos.” As you’ll see, some of them found it easier to do than others. Be that as it may, we proudly present essays by Ken Herman, Kris Eitland, Bill Eadie, David Dixon, Martin Jones Westlin, and Welton Jones.
San Diego dance leaps into the new year with giant jellyfish sets, interactive opera motifs, Dave Brubeck, and dance on film. If that’s not enough, try Irish jigs and dance inspired by Japanese poetry. What is OQ?