I don’t pretend to be an expert in the business of theatre, but as an interested observer I have been alarmed by both the decrease in the number of professional productions, as well as the difficulty of finding venues where work can be produced.
Claudio Raygoza’s chilling tour de force performance of Eric Bogosian’s volatile one-man play ‘Sex, Drugs, Rock and Roll’ blew the roof off ion theatre’s modest Sixth Avenue playhouse Saturday, October 14 . . .
The brutal murder of 14-year-old Emmett Till in rural Mississippi in August, 1955, is recalled by many as the decisive beginning of the last century’s Civil Rights movement. Ifa Bayeza’s stirring one act play “The Ballad of Emmett Till” recounts this event as a kind of passion play, taking us on a fervent journey with Till on his unintended via dolorosa . . .
The Craig Noel Award nominations represent the collective view of the Critics Circle members as to the strongest productions, performances, and technical work in the past year – and as such represent a kind of “report card” on the San Diego theatre community.