Posts Tagged ‘Beethoven’
Rafael Payare Announces Exciting 2020-21 Season for the San Diego Symphony
If the current absence of live symphonic music at the Jacobs Music Center can be assuaged, I suggest contemplation of San Diego Symphony Music Director Rafael Payere’s recently released 2020-21 season of the Jacobs Masterworks Series is just what the doctor ordered.
Read MoreBell and the Academy of St Martin in the Fields Salute Beethoven and Paganini at the Jacobs Music Center
The La Jolla Music Society brought the Academy of St Martin in the Fields under the direction of Joshua Bell to San Diego two years ago, and they returned to the Jacobs Music Center in downtown San Diego Monday, March 2.
Read MoreStefan Jackiw Illuminates Beethoven’s Violin Concerto and Rafael Payare Unleashes a Heady Shostakovich Symphony No. 11
Having heard the amazing young American violinist Stefan Jackiw play in last season’s La Jolla SummerFest, I was excited to encounter him again Sunday as soloist with the San Diego Symphony under Music Director Rafael Payare in Beethoven’s Violin Concerto. He did not disappoint!
Read MoreOpera NEO Offers Mozart, Gounod, and Rameau in Promising 2020 Summer Opera Festival
Following a pattern that has won devoted audiences, the Opera NEO Summer Opera Festival has announced its August 2020 season: two repertory favorites, Charles Gounod’s “Faust” and Mozart’s “The Magic Flute,” complemented by a Baroque rarity, Jean Philippe Rameau’s “Platée.”
Read MoreKian Soltani and Julio Elizalde Bring Brilliant Chamber Program to La Jolla
If the goal of the La Jolla Music Society’s “Discovery Series” is to present highly promising young performers, Sunday’s (January 26) accomplished duo-recital by cellist Kian Soltani and pianist Julio Elizalde made the best possible case for that premise.
Read MoreThe Danish String Quartet Excels with Its Three B’s: Bach, Beethoven, and Bartók
The Danish String Quartet invited Friday’s audience at The Conrad to join them on the third musical journey of their “Prism Project” at the La Jolla Music Society. Starting with the serene counterpoint of J.S. Bach, the quartet seamlessly moved to Beethoven’s bold thematic freedom and culminated with Bartók’s heady release from the predictable straitjacket of tonality.
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