As the San Diego Symphony’s ambitious, engaging festival “Hearing the Future” takes its victory lap, Festival Curator Matthew Aucoin led the orchestra in an exuberant concert in Copley Symphony Hall Friday, January 25. His refreshing approach to program design completely ignored the traditional overture-concerto-symphony formula: each half of the concert offered seven shorter works or […]
If you are puzzled to learn that the Hausmann Quartet’s November 11 Sunday program at the Maritime Museum of San Diego was planned around the outer space probes of Voyager 1 and 2, launched in 1977, you probably lack the imagination of the four clever Hausmann musicians. But you will discover the relationship of the three composers mentioned in the headline when you read the review.
In the first program of the San Diego Symphony’s Jacobs Masterworks Series, October 6, 2018, guest conductor Edo de Waart offered Beethoven’s Seventh Symphony and Edvard Grieg’s evergreen Piano Concerto in A Minor with Joyce Yang as soloist.
Guest conductor Edo de Waart led the San Diego Symphony in the orchestra’s season-opening concert on October 4 with guest pianist Lang Lang.
Michael Francis and Anne-Marie McDermott Inspire Exotic Fare in Opening Mainly Mozart Festival Concert
Michael Francis opened the 30th installment of San Diego’s annual Mainly Mozart Festival Saturday, June 9, with an ebullient orchestra concert that started with with Jean-Féry Rebel’s harmonically startling, rarely performed Baroque dance suite “Les Élémens,” jumped to Mozart’s Piano Concerto in C Major, K. 415, featuring soloist Anne-Marie McDermott—that composer’s equally assertive attack on late 18th-century Viennese rococo elegance—and closed with Beethoven’s Second Symphony.
The San Diego Symphony elevated its current Leonard Bernstein retrospective on Saturday, May 12, 2018, with a stirring, trenchant account of his 1942 “Jeremiah” Symphony under the assured baton of Conductor Laureate Jahja Ling.