The brutal murder of 14-year-old Emmett Till in rural Mississippi in August, 1955, is recalled by many as the decisive beginning of the last century’s Civil Rights movement. Ifa Bayeza’s stirring one act play “The Ballad of Emmett Till” recounts this event as a kind of passion play, taking us on a fervent journey with Till on his unintended via dolorosa . . .
It nearly is impossible to get a musical comedy nearer to perfection that Frank Loesser, Abe Burrows and George S. Kaufman did with ‘Guys and Dolls,’ and that seems to have been the guiding notion in Josh Rhodes’ refreshing production at the Old Globe Theatre.
As the Fringe goes along, word starts to spread about some shows in particular. Two of the ones I saw Thursday and Friday came from recommendations, and the third looked like it might be worthwhile (and it was)…
Eloquently moving bodies and impeccable imagery—”Echoes of Gallows Hill” by Astraeus Aerial Dance is such a complete, satisfying work of art that I had to create a new category for it, “Five-Star Fringe.” And Hip Hop Cabhooray is so fast-moving and fun, you probably won’t think about how ridiculously difficult it is to move twenty—20!—dancers around a small stage in a way that feels natural and easy; but Melissa Adao nails it.