The 37-year-old Venezuelan conductor Rafael Payare made an auspicious debut leading the San Diego Symphony last month, and the San Diego Symphony announced today that Payare will be its next Music Director, filling the vacancy left by maestro Jahja Ling, who retired in May 2017.
Although Angel Joy Blue is making her debut as Liù in San Diego Opera’s production of Puccini’s Turandot that opens on February 24, the young soprano from Southern California has a long personal history with this famous opera . . .
San Diego Symphony Associate Conductor Sameer Patel led a majestic, sonically luxurious account of the Jean Sibelius Fifth Symphony and introduced with violinist Anne Akiko Meyers and the orchestra a new violin concerto by Adam Schoenberg.
San Diego Symphony’s ‘Beyond the Score’ Program on Rachmaninoff Prepares Audience for Music History Exam at Next Symphony Concert
Just as Robert Indiana’s familiar 1970 Love Sculpture became an apt symbol of the 1970s, the Swiss artist Arnold Böklin’s evocative painting “The Isle of the Dead” from 1880 captured the darker, mystical imaginings of fin de siècle Europe. Sergei Rachmaninoff turned Böklin’s painting into a dark tone poem, which he also titled “The Isle of the Dead” . . .
Teatro Pueblo Nuevo was officially formed last September in Carlsbad’s New Village Arts Theatre, with the purpose of being a bilingual and bicultural outreach initiative. A new staging of Jose Rivera’s surreal romantic drama, Cloud Tectonics, serves as the first mainstage production for the program.
The era of female empowerment begs the question of its relative quietude over thousands of years. MOXIE Theatre’s current ‘Bliss (or Emily Post Is Dead!)’ has the right idea in addressing it — but some see-saw dialogue and an enormous directorial oversight knock it off balance.