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“Carnage” Perhaps Too Mild a Word

By Welton Jones | August 3, 2012 |
Carnage3

Four WASPS and a cell phone are featured in Yasmina Reza’s God of Carnage, now on the stage of the Old Globe’s White Theatre. Mom on the landline has a supporting role. It’s a pocket-sized version of Edward Albee’s Who’s Afraid of Virginia Woolf?: Fewer revelations, diminished booze and far less time lapsed but comparable…

Essay: A Noble and Dirty Business

By Bill Eadie | August 2, 2012 |

Seeing San Diego REP’s excellent season-opening production of Zoot Suit left me wondering about the role of politics in theatre and theatre in politics. It’s doubtful that the theatre will impinge much into the upcoming presidential race (though President Obama held a fundraiser on Broadway recently and has seen at least a couple of Broadway…

Kathy Brombacher Scores a Fiddler Hit

By Bill Eadie | July 26, 2012 |

Fiddler on the Roof has all the qualities of a great musical: a timeless story, hummable tunes, the opportunity for exciting visual moments, and a charismatic leading man. And retiring artistic director Kathy Brombacher has taken advantage of each of these elements to create as her final production a genuine hit that can be enjoyed…

Essay: Globe Summer Festival is Steady as She Goes

By Bill Eadie | July 25, 2012 |
Cast of As You Like It

It’s gratifying to see that the Old Globe’s Shakespeare Festival continues under Adrian Noble’s steady leadership.  I  also find it interesting that the common theme in this summer’s Shakespeare Festival at the Old Globe is oppression.  What’s most interesting is that this theme uplifts audiences when treated with a light touch even as it hammers…

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