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Authentic history is sustained by its wealth of anecdotes. Copies of authentic history are sustained by nothing. That said, some very nice production values sustain San Diego Repertory Theatre’s ‘Black Pearl Sings!’ regardless.
Wendy Whelan’s duet “First Fall” with Brian Brooks has grown to a new suite, “Some of a Thousand Words,” and the string quartet Brooklyn Rider performs with them LIVE
Art of Élan’s superbly performed program of Latin American chamber music on Tuesday (November 21), deftly curated by Artistic Director Kate Hatmaker, sent me out of the San Diego Museum of Art elated.
San Diego’s Diversionary has mounted Jen Silverman’s arch 2016 play “The Moors,” a smartly acted, edge-of-your-seat production that defies easy categorization, but commandeers the audience on a wild ride through the environs of comedy, tragedy, romance, thriller, and historical melodrama . . .
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