Art of Élan’s superbly performed program of Latin American chamber music on Tuesday (November 21), deftly curated by Artistic Director Kate Hatmaker, sent me out of the San Diego Museum of Art elated.
San Diego’s Diversionary has mounted Jen Silverman’s arch 2016 play “The Moors,” a smartly acted, edge-of-your-seat production that defies easy categorization, but commandeers the audience on a wild ride through the environs of comedy, tragedy, romance, thriller, and historical melodrama . . .
Powerful movers with bodybuilder thighs, Malpaso Dance presented one of the most satisfying dances I’ve ever seen—”Indomitable Waltz” by Aszure Barton.
It was a great decade for sex, drugs and a beat you could dance to. Donna Summer was hailed as Queen of Disco and she ha the catalogue to prove it. It took 30-plus songwriters to make this score and the highlight is a second-liohe song from ‘Hair.’ But it’s got strut and sleek chic.
Mozart’s Requiem was performed brilliantly by the San Diego Symphony and San Diego Master Chorale November 17-19, 2017, at the Jacobs Music Center . . .