To be avant-garde or not to be—that is the question examined in concurrent exhibitions exploring late 19th-century American artworks bearing the whips and scorns of time. Assembled by the Timken Museum of Art’s new Curatorial Director Derrick Cartwright, a two-part exhibition mindfully rubs conservative art against a new tide of natural shocks. As organized, such […]
VISUAL ARTS REVIEWS
Walter Pomeroy is a retired, modest salaried General Dynamics employee who built an amazing 400 work art collection. He has quietly lived in a suburban apartment (actually, now, three adjacent apartments) for many years beneath the views and under the radar of wealthier and supposedly more culturally inclined La Jollans of Mount Soledad. The grand […]
Artists can spawn either extraordinary aesthetic objects or spew demonically hilarious irony. Rather than being a noose or an old ball and chain, an artist’s spouse who is also an artist can be either an intellectual collaborator or an intense competitor who can bring-up the other spouse’s own game. “Significant Others” is a robust art […]
Featuring a stellar roster of talents such as artists Elizabeth Catlett, Romare Bearden, and Jonathan Green, the recently revived San Diego African American Museum of Fine Arts presents a major cultural gift to San Diego. Alone, worthy of rushing to view the exhibition is Catlett’s magnificent, rare bronze sculpture titled “Portrait of a Man,” 1973. The museum’s new temporary art exhibition is on display at the SDSU Art Gallery’s (Downtown) venue… (read more).
Johannes Vermeer’s “The Woman in Blue Reading a Letter” now on exhibit at the Timken Museum of Art is one of the artist’s very best paintings, but other images and objects included in the boutique exhibition titled “Vermeer” serve to distract rather than enhance the Dutch Baroque masterpiece. With only thirty-five surviving paintings attributed to this baroque master, the odds of normally seeing one of his jewel-like canvases in San Diego are greater than winning the SuperLotto. This is real jackpot!….
Michelangelo sculptures, an entire Gothic cathedral made from plain aluminum crutches and huge tacky postcards are all part of an irreverent and provocative but definitely worth seeing exhibition titled “Seeing is Believing: A Reinvention of Articles of Faith” that was curated by 2013 San Diego Art Prize winners Debby and Larry Kline. Now on exhibit at the Lawrence Family Jewish Community Center in La Jolla, the exhibition is a very odd success due to amazing structure, overtly tacky kitsch, and spectacular failure… (read more…)