Savoring every moment in life is the mantra of Charlene Baldridge, a writer and poet who shares unbearable personal loss with grace. Her cathartic and empowering play “Warriors’ duet” at the Fringe Festival may cause the most stoic viewer to weep. The play asks viewers to grieve and celebrate life en mass, and the experience is profound.
Internationally known for its complex, provocative work and technically stunning dancers, Lux Boreal is a very hot ticket at the San Diego Fringe Festival. Very hot and very bleak.
You Are Here gets my vote for PGK’s best location ever. The dance was more of a mixed bag at PGK’s “Welcome to Summer” show last Friday.
Elle was an example of talented artists trying to be subversive, rejecting the basic rules of theatrical pacing, simply hell bent on using the slowest aspects of butoh and little else to convey a dark narrative inside a strip club. An opportunity wasted, and a big waste of talent.
The program could have been more successful as a complete and sleazy variety show, or a dark comedy. Imagine Dan Aykroyd’s character, Leonard Pinth Garnell, and how he introduced the “Bad Ballet” parody on Saturday Night Live. This was very bad butoh ballet indeed. Elle was best viewed as a parody, extreme yet simpleton in every way.
April’s been a good month for dance, and the run isn’t over yet. The bonanza included two nights of Alvin Ailey at Copley Symphony Hall (April 9 and 10, both reviewed by Sandiegostory.com) and 12 nights of eclectic performances at the White Box Live Arts Fest (April 5-21).