Matthew Aucoin and the San Diego Symphony Lift Up Music’s Future in Both Past and Present Modes

As the San Diego Symphony’s ambitious, engaging festival “Hearing the Future” takes its victory lap, Festival Curator Matthew Aucoin led the orchestra in an exuberant concert in Copley Symphony Hall Friday, January 25. His refreshing approach to program design completely ignored the traditional overture-concerto-symphony formula: each half of the concert offered seven shorter works or…

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Tenor Scott Quinn May be the Villain in San Diego Opera’s ‘Rigoletto’–but He Has the Best Music

Tenor Scott Quinn, a gregarious Texan, can hardly wait for the curtain to go up on San Diego Opera’s production of Giussepe Verdi’s popular opera “Rigoletto.” “The reward of playing the Duke of Mantua in this opera is that I get to sing Verdi’s great music, and the Duke gets all of the best music–or at least the most tuneful music–in this opera.”

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Chamber Music on the Cutting Edge from Franz Joseph Haydn to Matthew Aucoin

“All music was new at one time,” quipped Matthew Aucoin Tuesday as he welcomed the audience to his “Hearing the Future” festival chamber music program in the Auditorium at TSRI. Following his festival theme, Aucoin chose pieces that were pivotal when they were written, displaying approaches that pointed to a musical future barely on the horizon.

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