At Sunday’s (August 26) Carlsbad Music Festival, the programming verged on offering something for everyone, with juxtapositions of musical style appearing like the flashing colored lights in a classic pinball machine.
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Spending a day at the Carlsbad Music Festival, August 24-26, 2018, reminds the followers of new music that there is no right way to do or to define contemporary music. Like visiting that ice cream emporium chain that advertises 33 flavors, at Carlsbad you are likely to discover a flavor you haven’t yet tried.
La Jolla SummerFest titled its Wednesday, August 22, concert “An Evening with Emanuel Ax.” But it was much better than that. It turned out to be an evening with Emanuel Ax and friends.
The La Jolla SummerFest concert on August 21 presented a beautifully performed program that captured that late Romantic flowering of French chamber music from Charles Gounod to Maurice Ravel.
Thursday, August 16, La Jolla SummerFest featured Marc-André Dalbavie’s stunning Quartet for Piano and Strings, a La Jolla Music Society commission premiered here in 2012, and paired it with Pierre Jalbert’s 2017 Piano Quintet, an equally impressive work which the La Jolla Music Society co-commissioned.
The August 14 SummerFest concert offered an embarrassment of riches, from the warmth and allure of Joaquin Turina’s “Escena Andaluza,” to Claude Debussy’s profound yet unsentimental Cello Sonata, to Lei Liang’s extravagantly exciting new “Vis-à-vis” for Pipa and Percussion, to Gustav Mahler’s transcendent Rückert-Lieder song cycle to Alberto Ginestera’s breathtaking String Quartet No. 1.