Art of Élan’s superbly performed program of Latin American chamber music on Tuesday (November 21), deftly curated by Artistic Director Kate Hatmaker, sent me out of the San Diego Museum of Art elated.
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San Diego’s Diversionary has mounted Jen Silverman’s arch 2016 play “The Moors,” a smartly acted, edge-of-your-seat production that defies easy categorization, but commandeers the audience on a wild ride through the environs of comedy, tragedy, romance, thriller, and historical melodrama . . .
Mozart’s Requiem was performed brilliantly by the San Diego Symphony and San Diego Master Chorale November 17-19, 2017, at the Jacobs Music Center . . .
Bodhi Tree Concerts and the men of Sacra/Profana produced “All Is Calm: the Christmas Truce of 1914” November 17-19, 2017, in San Diego’s Veterans Museum at Balboa Park. The 2:00 p.m. performance on November, 18, 2017, was viewed for this review.
Given the San Diego Symphony’s current season without a music director, the presence of guest conductor Johannes Debus conducting an all-French program this past weekend (November 11 & 12) provided welcome uplift . . .
Pianist Richard Goode play a solo recital Friday (November 10) at the Irwin M. Jacobs Qualcomm Hall that was marked by interpretative depth and emotional maturity , , ,