Colony collapse disorder as part of a dance? In “Bee Conscious,” Lara Segura deftly weaves in lessons about bees and presents witty dance that’s a pleasure to watch. There’s a striking Alvin Ailey moment, and utter hilarity when John Paul Lawson vamps as a queen bee.
About Janice Steinberg
Posts by Janice Steinberg:
What does it mean to be a man? It’s a big question, and Michael Mizerany explores it with depth, wit, and steamy sensuality in “ManTrap,” running this weekend at Diversionary Theatre.
Eloquently moving bodies and impeccable imagery—”Echoes of Gallows Hill” by Astraeus Aerial Dance is such a complete, satisfying work of art that I had to create a new category for it, “Five-Star Fringe.” And Hip Hop Cabhooray is so fast-moving and fun, you probably won’t think about how ridiculously difficult it is to move twenty—20!—dancers around a small stage in a way that feels natural and easy; but Melissa Adao nails it.
Fringe artists take the risk of getting political … and it doesn’t always work. In “Specific Gravity,” brilliant circus skills have to compete with a preachy message. In “Herstory,” the message is softer, and nothing can take away from the flat-out awesome dance.
I saw Cirque du Soleil early on, before it got over-produced and Vegas-glitzy, and it was magical; it wasn’t just about gasp-worthy circus skills, there was a sense of tapping into the collective unconscious. Lighthouse Circus Theatre delivers that kind of thrill in “Incandescent,” my first San Diego Fringe “Find.”
Choreographer John Malashock and composer Judd Greenstein were clearly separated at birth, there’s such a splendid affinity between them. Last night, Malashock Dance premiered two pieces to Greenstein works, as well as three premieres to music by other contemporary classical composers. The program is called “Minor Fall/Major Lift,” but that’s a misnomer, because all I experienced was a major lift, especially since the music was performed live by the New York-based NOW Ensemble. Hallelujah.