In last weekend’s “Balanchine Masterpieces” program, the music proved as thrilling as the dance—especially Mark Polesky at the piano. Polesky brought brightness and verve to the Stravinsky and richness to Hindemith’s changing moods. And that was on an electric keyboard! The dance was equally stunning, from the moment the Spreckels Theatre curtain rose on a chorus line of dancers in sparkly lipstick-red.
About Janice Steinberg
Posts by Janice Steinberg:
Some dances have such wildly inventive movement, and it flashes by so quickly, that the minute the piece ends, I want to see it again. That’s how I felt when I caught the premiere of “Odeon” by Ephrat Asherie Dance at the Jacob’s Pillow Dance Festival last summer. I felt that way again when ArtPower presented “Odeon” at the Balboa Theatre last week.
Beijing Dance Theater’s spectacular sets were pretty much missing from the stage at the Balboa Theater. Also missing was a compelling artistic vision in three pieces by company director Wang Yuanyuan. And what was with the handsy guy who kept copping feels?
Wonderfully ambitious, if over-reaching, David Roussève/REALITY’s “Halfway to Dawn” is a sort of dance-biography of jazz great Billy Strayhorn. Celebratory, abandoned dancing to Strayhorn tunes evokes the gaiety of African-American jazz clubs in the 1940s; but this complex piece also conveys an underlying loneliness.
John Malashock’s latest show, “Eye of the Beholder,” is a collection of 14 pieces, most of them duets. The whole thing runs for about an hour, which works out to about four minutes per dance—about the length of numbers on “So You Think You Can Dance.” The effect was like nibbling a lot of hors d’oeuvres at a cocktail party. It’s all tasty, but at the end, you’re still hungry for dinner.
“Eye of the Beholder” nonetheless offered some delectable bites: acrobatic partnering and well-drawn sketches exploring a range of emotions.
Their YouTube videos may have over 1.5 billion views, but Keone and Mari Madrid don’t mind playing a 120-seat theater to share their artistic vision in “Beyond Babel,” a hip hop “Romeo and Juliet.” Their tender partnering shows how meltingly smooth their West Coast Urban style can be.